EXCERPT:
They continued driving along the highway until Robin found a nearly deserted beach dotted with a few on-shore fishermen. Offshore, a handful of surfers floated on the water awaiting the next big wave. Robin pulled the car into the parking lot, took off her red high-tops and grabbed a windbreaker from her backpack. Madison followed suit and soon they were walking along the water’s edge away from the Triple T’s. . . away from school. . . away from society’s rules. . . away from the rest of the world.
The cool, steady breeze was typical for April on the beach. Robin assisted Madison into her windbreaker as they walked along the wet sand. Stopping occasionally to gaze at the gulls floating above the waves, they walked shoulder-to-shoulder without words.
Madison’s hand reached out quickly to grasp Robin’s shoulder as a receding wave pulled the sand out from under her feet. Robin instinctively turned and grabbed Madison at the waist to steady her. Madison’s other hand reached up to firmly grasp Robin’s other shoulder. They stood face-to-face for the first time. Robin could feel Madison’s breath on her face. Madison’s look of surprise softened just as Robin’s look of concern eased. Surrounded by the agitated surf, they held securely onto each other, their eyes fully absorbed in a newfound connection.
In that moment, Robin’s initial terror of being so close to Madison in public quickly receded with the waves. She suddenly became aware of the look on Madison’s face. It was questioning, yet sure. Madison’s eyes no longer flashed with anger. The creases in her forehead multiplied as her eyebrows arched in wonder. Her clenched jaw relaxed. Her face eased into a smile. At first puzzled, Robin soon felt relieved, as if Madison had opened a window and released all of Robin’s anxiety and fear to the wind.
Madison, flustered at first by her proximity to Robin, felt the security of Robin’s hands at her hips. It felt natural to have Robin so physically close to her. It was as if every neuron in Madison’s body fired simultaneously. She felt heat ignite and expand throughout her body. She felt comfortable standing there with Robin in the cool, sea breeze.
Madison had discovered the hidden drawbridge to Robin’s fortress.
The push of another bounding wave against their legs, jolted them back to the beach. They each staggered slightly away from the grasp of the ocean and each other. Though the encounter was momentary, the imprint it left on each of their hearts was palpable with each pounding beat.
“We should probably head back,” Robin took one last look along the shoreline, “You have tennis practice and I have some film to develop for the newspaper.” With that, they both turned away from the churning sea.
Advantage In Playlist
Typically for my writing process I assemble photos of locales, graphics of clothing styles for each of my main characters, and photos of actual people who serve as my character models. I also compile a playlist with songs attributed to each main character. This playlist helps me to ease into a character’s mind set before I begin writing.
As this love story is set in 1970s southern California, the songs primarily were drawn from the years 1970 to 1976. It was the age of soft rock and singer-songwriters and love was playing on the airwaves. Some songs are definitely describing Robin along her journey (You Gentle Me, Haven’t Got Time for the Pain, I’ll Be There) while others describe Madison’s state of heart (Then Came You, I Won’t Last a Day Without You, Laughter in the Rain). I encourage my readers to take the time to really listen to the lyrics in the Barry Manilow song All the Time as it so clearly describes the feelings that swirl within an adolescent during the high school years.
If you peruse the list below you will notice some additional recordings that were drawn from other decades. For example, the singer Eddy Arnold released the song You Don’t Know Me in 1970, but I really love Jann Arden’s version as it captures the pain of a missed connection. Of course, the song Over the Rainbow has been around since 1939 (a go-to song for many in the LGBTQ community) and has been recorded by many artists. My favorite version is by Eva Cassidy as it has a quiet resignation to it. Likewise, the song Somewhere (from the Broadway musical West Side Story, 1957) has been around for some time, but Streisand’s arrangement and her textured and evocative, soaring vocal bring a whole new meaning to this song for the LGBTQ community. And, yes, then there’s Taylor Swift’s song August which came into this musical mix last. This song has an appeal to me as it talks about a summer romance of a high school-age nature and then, of course, there is the reference to the mall which seems to place this song solidly (in my mind) into a 1970s context as this was the decade in which shopping malls became ubiquitous in the suburbs.
Song Title | Artist | Year on Charts |
I’d Love You to Want Me | Lobo | October, 1971 |
Make it With You | Bread | September, 1970 |
Desperado | Linda Ronstadt | 1973 |
Then Came You | Dionne Warwicke & the Spinners | 1974 |
Laughter in the Rain | Neil Sedaka | October, 1974 |
You Gentle Me | Carole King | 1974 |
Annie’s Song | John Denver | 1974 |
The Air That I Breathe | Hollies | June, 1974 |
Haven’t Got Time for the Pain | Carly Simon | June, 1974 |
Come Monday | Jimmy Buffet | July, 1974 |
I Won’t Last a Day Without You | Carpenters | May, 1974 |
I’ll Be There | Jackson 5 | 1970 |
Hello It’s Me | Todd Rundgren | 1974 |
Bitch is Back | Elton John | September, 1974 |
The Need to Be | Jim Weatherly | October, 1974 |
Wishing You Were Here | Chicago | November, 1974 |
A Song for You | Carpenters | 1972 |
Best of My Love | Eagles | November, 1974 |
I Honestly Love You | Olivia Newton-John | August, 1974 |
Fire and Rain | James Taylor | August, 1970 |
Time in a Bottle | Jim Croce | November, 1973 |
She’s Gone | Hall & Oates | 1974 |
All the Time | Barry Manilow | August, 1976 |
Somewhere | Barbra Streisand | 1985 |
You Don’t Know Me | Jann Arden | 1997 |
Over the Rainbow | Eva Cassidy | 1998 |
August | Taylor Swift | 2020 |
